Here are the circles of hell in order of entrance and severity: Limbo: Where those who never knew Christ exist. Dante encounters Ovid, Homer, Socrates, Aristotle, Julius Caesar, and more here. Lust: Self-explanatory. Dante encounters Achilles, Paris, Tristan, Cleopatra, and Dido, among others. The Furies and Medusa are monsters from classical mythology (hence easily recognizable for Virgil), whom Dante places in his frightening hell. It seems that the forces of hell may overwhelm Dante and Virgil, may turn them to stone and trap them in hell…. Active Themes. But just then, Dante hears a loud crashing noise and turns to see an angel Summary and Analysis Canto VII. Summary. Dante and Virgil enter the fourth circle and are stopped by the raging Plutus, but Dante then chastises Plutus as he has chastised the monsters in previous circles. Plutus collapses, falls to the ground, and the poets pass. Dante gets his first glimpse of Circle IV, the circle for the Wasters and the Summary and Analysis Canto IV. Summary. Dante wakes to a clap of thunder. He has been in a deep sleep for some time, so his eyes are rested. He finds himself across the Acheron and on the brink of a deep abyss from which he hears the "thunder of Hell's eternal cry." Virgil asks Dante to follow him, but Dante is wary because Virgil is deathly pale.
Virgil pushes Filippo Argenti back into the River Styx. This illustration depicts a disturbing moment from Canto 8 when Dante and Virgil encounter one of the sinners they despise the most. Wandering around the Fifth Circle of Hell, Virgil and Dante meet the boatman Phlegyas, who takes them across the Styx at Virgil’s request.

ANALYSIS. MARKET ANALYSIS > ONLINE ART APPRAISAL > > DANTE AND VIRGIL SAVE ARTWORK FOLLOW ARTIST. After William Adolphe Bouguereau. DANTE AND VIRGIL late 20th

Analysis of Dante’s Inferno. Dante’s Hell is a diorama of sin, enacted as both moral exhortation and poetic prophecy. Change is no longer possible here, and damnation is the irrevocable, total removal from God—a separation that is more terrible for being freely willed by Hell’s inhabitants. “What I was living, that I am dead,” one XjKkyzc.
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    • dante and virgil painting analysis